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Four Myths of Writing, by Carl Nelson

Myth #1: It's Too Late to Start
  • Writing for a lifetime begins when you decide!
  • It can be an occupation or a hobby.
  • It is something you can do as long as you want.
  • There are many motives to write: Self, family, profit, reach readers, ego. You need goals.
  • Persistence and staying power pays off.
  • Earlier start the better, but age has nothing to do with it.
  • It's a long path.
  • Nothing happens in life in less than five years.
  • Profitable writing career requires many projects.
  • Think of yourself as a mini word factory.
  • Invest in yourself $$.
Myth #2: Writing is Easy
  • Not true!
  • But it's a challenge you can overcome.
  • Most writing is on speculation, not contracted.
  • It's a craft and an art.
  • Learn the tools.
  • Bad writing doesn't sell.
  • Pick a theme or topic.
  • Or a genre.
  • Must do something everyday: Think, write, rewrite, or market.
  • Don't be afraid to stretch. Experiment with all kinds of writing: Poetry, short/long fiction, non-fiction, stage and screen plays.
Myth #3: You Gotta Pick a Genre
  • Not so!
  • But if you are good at one genre, you (it) might be more profitable.
  • Short stuff (magazines) can be fun and profitable.
  • Long pieces take time.
  • It is possible to write both fiction and non-fiction.
  • Non-fiction is easier to sell than fiction.
  • You can work on more than one project at a time.
  • You can lay aside a project and come back to it.
Myth #4: Writing is About Self
  • Wrong!
  • Most books are best written after reading aloud and talking about them.
  • Good stories are fun; share them.
  • Join a read-and-critique group.
  • Go to a conference -- once. Then write!
  • Carry a tablet, notebook, or a tape recorder.
  • Ask for help -- pay for it if necessary.
  • Be careful, there are as many phonies in writing as there are in any other endeavor.
  • For the ungarbled truth, join an organization of writers.

Definition of "Literary Fiction"

In general, a literary novel tends to be much more character-driven than a commercial novel. But just what qualifies a book as literary is difficult to identify and open to debate, even among well-established literary writers. Some cite moral ambiguity, an effort to grapple with dark and light and to see a situation in its full complexity, as a key characteristic. Others might point to layers of meaning, or resonance, of the careful use of language itself. Many speak of the "truth" of a novel, of an ability to address the human condition. Still others might stress universality. A dozen other qualities of "literature" might be discussed, but with most of them, whether a book possesses it and in what degree can never be an objective matter.

Elements of a Fiction Story

Preparation

  • Have confidence that you can write the story, but remember it is written a little every day.
  • Plan to spend several days, weeks or even months thinking and planning before you begin serious writing.
  • You may have more than one project going at one time, but don't have too many in the hopper.
  • Concentrate on completing them, one by one.

Theme

Begin with a theme that can be explained in one sentence. In the TV/movie business it is called a "Log Line." Example: This story is about... The theme should be fresh, compelling, different, and original. Above all it should be about the human condition. The success formula is: have an ordinary person do extra-ordinary, compelling things.

Story Requirements

Every good story has four elements that make the reader/viewer want to pursue the work. 1. Hook: The reader must immediately be interested.
2. Premise: The lead character must be driven by a need.
3. Conflict: The lead must have a major conflict then have many conflicts that prevent him or her from achieving the need.
4. Resolution: The lead must overcome the conflict.

Outline

Outline your story before you begin to write. The best outline is called a step outline. That is, write the story scene-by-scene in paragraph form to the end. It is essential to know the ending before you begin writing. Break the work into scenes of differing sizes. They become chapters when writing a book. You may have to move scenes around -- organizing the book is often like a jig-saw puzzle.

Writing the Scenes

Each scene must accomplish four things.
1. Advance the story.
2. Contribute to the characters.
3. Be interesting.
4. End with impact.

The Art

Like a painting, add brush stokes: senses, feelings, description, and character enrichment. Plot isn't enough.

Dialog

Keep your dialog short -- one or two sentences only. Have it be staccato. That is, be brief and jump around among the characters. Weave exposition into the dialog - too boring otherwise.

The Plot

  • Outline your story to give it boundaries and structure.
  • Be sure your plot is not predictable.
  • Find new and creative ways to tell common, (remove) or not so common stories.
  • Be sure your story contains sufficient sources of tension and conflict.

Characters

  • Find creative ways to introduce your characters.
  • Create characters that readers will either love or hate.
  • Create characters that are real and alive, that think and feel, that have strengths and flaws.
  • Know what your characters look like.

Keep the Reader's Attention

  • Begin the story in the middle of some action and dialogue.
  • Keep the reader's attention throughout by pacing the action and tension.

Sexual Tension

  • If you are writing a story that contains some romance, build it up.
  • Elaborate on the forces driving the characters toward each other.

Research

  • Write about the things you know.
  • Make sure you do your homework when writing about unfamiliar subjects.
  • Misinformation will dramatically affect the credibility of your novel.

Grammar and Punctuation

If you want to get past the first reader on our editorial board, carefully proof your manuscript for errors in spelling, punctuation, and grammar.

Style

  • Be creative with the way you begin your sentences.
  • Dialogue: Try to make your characters' voices sound different form each other. Show, through descriptive phrases, how the characters sound, look, and behave, as they speak.
  • Use active rather than passive tenses and vivid action verbs whenever possible.
  • Be creative in the linking of events in your story by using clear and interesting transitional phrases.
  • Avoid the use of clichés
  • Use narration judiciously. It is better to let the story unfold before the reader through action and dialogue than author narration.

Non-fiction Book Proposal

ELEMENTS OF A PROPOSAL

  • Title page
  • Overview
  • Approach
  • Theme
  • Potential markets
  • Organization
  • Special benefits
  • Endorsements
  • Project status
  • Structure and length
  • Permissions
  • Competition
  • Promotion and marketing
  • Resources needed to complete the book
  • Author background
  • Chapter outline
  • Sample chapters
  • Collateral attachments

HOW TO BEGIN

  • Concept (good idea)
  • Finding the hook
  • Market research
  • Describe in a sound bite
  • Marketable

THE TITLE

  • Creating an image
  • Relevant
  • Less than five words + subtitle

THE OVERVIEW

  • What book is about?
  • Why it should be written
  • How you plan to write it
  • Why you are the best person to write it

APPROACH

  • How you will go about telling the story
  • Slant

THEME

  • Short but punchy

POTENTIAL MARKETS

  • Audience: who will read?
  • Ages, sex, level

ORGANIZATION

  • Overview of layout
  • Refer to chapter outline

SPECIAL BENEFITS

  • What sets it apart?

ENDORSEMENTS

  • Names, samples

PROJECT STATUS

  • What have you done so far?

STRUCTURE AND LENGTH

  • Pages, words
  • Diagrams
  • Pictures
  • Graphs

PERMISSIONS

  • Avoid plagiarism
  • Acknowledge others' work
  • Number

COMPETITION

  • List books, authors
  • Dates of publication

PROMOTION AND MARKETING

  • What you will do
  • Qualifications
  • Experience

RESOURCES NEEDED

  • Photos
  • Travel
  • Costs

AUTHOR BACKGROUND

  • Degrees
  • Experience
  • Work

CHAPTER OUTLINE

  • A good paragraph for each
  • Estimated length
  • Highlights
  • Writing Tips

Tip 1

Think about the marketability BEFORE you begin work on a project. Is this story one the publishers want to print, the media wants to write about, and people want to see/read? There is not a huge market for a book about "Using Recycled Beer Cans to Make Hats." That is a real book, by the way. The author was very confused as to why it did not sell very many copies.

Tip 2

Outline your novel, screenplay, or non-fiction book. There are several reasons why this is critical to successful writing. First, you will need this to get an agent and/or publisher. Second, you will be able to tell if your story flows properly and trouble-shoot any problems with the plot BEFORE you spend a year writing a full manuscript.

Tip 3

Start with a one-page treatment or synopsis. Graduate to a five-page treatment. Then a 15-page treatment. Follow with two sample chapters. Get the contract signed and your advance check cashed. THEN write the full manuscript.

Tip 4

Cruise bookstores. See what's out there. See what major chains are selling. See what people are buying. Look for trends. Then start thinking of ideas.

Tip 5

Don't fall in love with anything you've written. Rigidity will make your manuscript/screenplay great holiday gifts for your friends and family. It will not make them a best-selling reality. EVERYONE gets notes, changes, and re-written -- get over it!

Tip 6

Make sure your agent knows your long-term career goals. The highest advance for a one-book deal is only a one-book deal. If you plan on making this a career, sometimes a smaller advance and a multiple book deal will further your goals faster.

Tip 7

Creating a book takes time. If you started creating a book/screenplay today, it may not hit the shelves for up to two years. This is not going to happen overnight.

Tip 8

Give agents/publishers time to read your manuscript/screenplay. It can take up to three months to get a response. Be patient.

Tip 9

Don't ever be afraid to ask questions. "I don't know" is a sign of strength, not weakness.

Tip 10

Keep your sense of humor. We're not saving the whales, ya know, we're entertaining and educating (hopefully!) your audience. Just tell a good story.

Useful Websites and Other References

BOOKS ABOUT WRITING

  • Writer's Market
  • Literary Market Place (LMP)
  • 1001 Ways to Market Your Books
  • Writer's Guide to Book Editors Publishers and Literary Agents
  • How to Get Happily Published
  • How to Write "How-to" Books and Articles
  • How to Write a Book Proposal
  • Write the Perfect Book Proposal
  • The Screenwriter's Bible
  • The Complete Book of Script-Writing
  • You Can Write a Memoir
  • The Elements of Playwriting
  • Characters in Action
  • Writing Treatments that Sell